Includes gig bag.

Includes gig bag.

Includes hardshell case.

GRX guitars feature the same playability, warranty, and set-up as Ibanez’s most expensive instruments, but at rock bottom affordable prices.  Case not included.

Case not included.

Shape: Grand Auditorium; Back/Side Wood: Rosewood Laminate; Top Wood: Sitka Spruce; Neck/Heel: Sapele, Electronics: ES-T®; Bracing: Forward Shifted Pattern; Binding: White; Fretboard Wood: Ebony; Fretboard Inlay: 6mm Dots; Headstock Overlay: Indian Rosewood; Bridge Inlay: None; Bridge Pins: Black; Nut & Saddle: NuBone®; Tuners: Die-Cast Chrome; Truss Rod Cover: Indian Rosewood; Back/Side Finish: Satin; Top Finish: Gloss; Neck Finish: Satin; Cutaway: Venetian; Pickguard: None; Includes Taylor hardshell bag.

Shape: Grand Symphony; Back/Side Wood: Sapele; Top Wood: Sitka Spruce; Neck/Heel: Tropical Mahogany, Electronics: ES®; Bracing: Forward Shifted Pattern with Relief Rout; Binding: Black; Fretboard Wood: Ebony; Fretboard Inlay: 4mm Dots; Headstock Overlay: Indian Rosewood; Bridge Inlay: None; Bridge Pins: Ebony; Nut & Saddle: Tusq; Tuners: Taylor Chrome; Truss Rod Cover: Indian Rosewood; Back/Side Finish: Satin; Top Finish: Gloss; Neck Finish: Satin; Cutaway: Venetian; Pickguard: Tortoise; Includes Taylor hardshell bag.

Shape: GS Mini; Back/Side Wood: Sapele Laminate; Top Wood: Tropical Mahogany; Neck/Heel: Sapele, Electronics: None; Bracing: X-Bracing with Relief Rout; Binding: None; Fretboard Wood: Ebony; Fretboard Inlay: 5mm Dots; Headstock Overlay: Lexan; Bridge Inlay: None; Bridge Pins: Black; Nut & Saddle: NuBone®; Tuners: Die-Cast Chrome; Truss Rod Cover: Black Plastic; Back/Side Finish: Varnish; Top Finish: Varnish; Neck Finish: Varnish; Cutaway: None; Pickguard: Tortoise; Includes Taylor hardshell bag.

Shape: Grand Symphony; Back/Side Wood: Indian Rosewood; Top Wood: Engelmann Spruce; Neck/Heel: Tropical Mahogany, Electronics: ES®; Bracing: Forward Shifted Pattern with Relief Rout; Binding: Ivoroid; Fretboard Wood: Ebony; Fretboard Inlay: Heritage Diamonds; Headstock Overlay: Indian Rosewood; Bridge Inlay: None; Bridge Pins: Ebony; Nut & Saddle: Tusq; Tuners: Taylor Chrome; Truss Rod Cover: Indian Rosewood; Back/Side Finish: Gloss; Top Finish: Gloss; Neck Finish: Satin; Cutaway: Venetian; Pickguard: Tortoise; Includes hardshell case.

The RP-06 is carefully assembled from the same specs as the rest of our -06 series, we’ve taken all of that value and crammed it into a tiny 0-size package. With a surprisingly full-bodied sound and perfect, even tone across every string, this guitar is the perfect companion for the couch, the beach or the coffee house gig.

A new standard in sound and value, the RO-06 000-Style acoustic illustrates the skill of the Recording King luthiers. We’ve crafted a solid-top guitar with a sound so amazing it rivals that of guitars three times as expensive. Assembled with the perfect combination of sonic excellence, careful craftsmanship and attention to detail, the result is a guitar that sounds like a million bucks, but costs far less.

Features solid Engelmann Spruce top, Mahogany back and sides, scalloped Spruce X-bracing, contemporary “C” Mahogany neck, dovetail neck joint, 20 fret 24.9” scale Rosewood fretboard, 1-3/4″ Bone nut, Rosewood headstock overlay, Die Cast tuning machines, Tortoise Shell binding, Classic Style rosette, Black/White Fiber purfling, Rosewood bridge with standard bone saddle.  Case not included.

Includes case and bow.

Case not included.

6-String Grand Auditorium size, Gloss Indian Rosewood Back & Sides, Gloss Sitka Spruce top, Tropical Mahogany neck, Ebony Fretboard, 800 Series fretboard inlay, Ebony Headstock Overlay, Curly Maple binding, Tusq Nut & Saddle, Classical Gold Tuning Machines with Synthetic Ivory Buttons, Nylon Bracing, Venetian Cutaway, Taylor Expression System, includes hardshell case.

6-String Grand Auditorium size, Gloss Tropical Mahogany Back & Sides, Gloss Western Red Cedar top, Tropical Mahogany neck, Ebony Fretboard, Deco Diamonds fretboard inlay, Indian Rosewood Headstock Overlay, Tortoise binding, Ebony bridge pins with Abalone Dots, Tusq Nut & Saddle, Gold-plated Taylor Tuning Machines, Elixir® Light Gauge Strings with NANOWEB® Coating, 25 ½” scale length, Forward Shifted bracing Pattern with Relief Rout, Venetian Cutaway, Taylor Expression System, includes hardshell case.

Includes legs, brace, sustain pedal and case top.

Case not included.

Built-in expression pedal.  Adapter not included.

Case not included.

6-String Grand Auditorium size, Gloss Big Leaf Maple Back & Sides, Gloss Sitka Spruce top, Hard Rock Maple neck, Ebony Fretboard, Twisted Ovals fretboard inlay, Ebony Headstock Overlay, White binding, Ebony bridge pins with Abalone Dots, Tusq Nut & Saddle, Gold-plated Taylor Tuning Machines, Elixir® Light Gauge Strings with NANOWEB® Coating, 25 ½” scale length, Forward Shifted bracing Pattern with Relief Rout, Venetian Cutaway, Taylor Expression System, includes hardshell case.

Worn Honeyburst finish.  Includes hardshell case.

Includes PRS gig bag.

Case not included.

The Whirlwind Selector Multiselector Instrument Switch gives you the ultimate control over your instruments and your gear. You can alternate between channels A and B or select both. Send one guitar to two amps or use it the other way around to select between two guitars into one amp.

Classic BOSS chorus pedal with clean, brilliant sound for guitar and keyboards, Effect Level, EQ, Rate and Depth knobs allow for precise shaping of sound, features Mono input and Stereo outputs for connection to dual amps.

The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new “Rise” and “Fall” modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3′s Rate, Filter and Tempo.  Includes original box and manual.

Wine Red.  Includes hardshell case.

Grand Symphony body, solid Ovangkol back and sides with Satin finish, solid Sitka Spruce top with Gloss finish, Tropical American Mahogany neck, Ebony fretboard and bridge, Progressive Dots inlay, Indian Rosewood headstock overlay, white binding, Tusq nut and saddle, Chrome-plated Taylor tuning machines, Elixir® Medium gauge strings with NANOWEB® coating, Forward Shifted Bracing Pattern with Relief Rout, Taylor Expression System®, Venetian cutaway, includes Taylor hardshell case.

Case not included.

Includes gig bag.

Case not included.

The Line 6 Floor POD Plus gives you all the great features of the studio-standard POD 2.0 along with additional premium effects in a floor pedal with real time foot controls. Inside this road-ready package you get 32 amp models that you can mix and match with 16 cab models, 6 delay models, full-time compressor, and 20 other effects (including choruses, flangers, reverbs, sub-octave, and synth). Ideal for live performance or in the studio, Floor POD Plus is easy to use and ready to rock at a moment’s notice. Just plug in front of any guitar amp and crank it up, or plug directly into the board to instantly access famous POD direct tone.

6-String Dreadnought body, solid Ovangkol back and sides with Satin finish, solid Sitka Spruce top with Gloss finish, plastic rosette, Tropical American Mahogany neck, Ebony fretboard and bridge, Pearloid Progressive Dot inlay, Indian Rosewood headstock overlay, White binding, Tusq nut and saddle, Chrome-plated Taylor tuning machines, Elixir® Medium gauge strings with NANOWEB® coating, 25 ½” scale, adjustable truss rod, 1 ¾” nut width, 20 frets, 15” fretboard radius, Venetian cutaway, Standard II (forward shifted pattern w/relief rout) bracing, Taylor Expression System®, 16” body width, 4 5/8” body depth, 20” body length, 41” overall length, includes Taylor hardshell case.

OOO Style with Solid Mahogany Back & Sides – This model has herringbone top purfling, which provides great aesthetic appeal for traditional players. Made with all-solid woods and featuring the most authentic pre-war-style features, this classic guitar is perfect for all styles of playing.   This series has a solid Sitka spruce top, solid mahogany back and sides, fully scalloped forward-x bracing, a one-piece mahogany neck, an ebony fretboard and vintage-style slot-through bridge.   Case not included.

Sitka Spruce gloss top dreadnaught with satin Mahogany back & sides.  Includes hardshell case.

Case not included.

On consignment.  Includes original hardshell case.

Case not included.

Includes gig bag.

Two switches in one, BOSS’s new FS-6 combines latch- and momentary-type switching into one unit. With two switches conveniently housed side-by-side, the FS-6 allows each switch to be set for latch or momentary operation. Pick the configuration that best suits your playing style and setup.  Each footswitch can be assigned latch- or momentary-type, Stereo input jack for single stereo cable connection, Can be connected to other footswitches (FS-5L/FS-5U/FS-6/AB-2) for extension, Can be used with a wide variety of instruments, rhythm machines, guitar amps, etc.

Case not included.

The BCB-30 is a convenient way for guitarists and bass players to transport and use their BOSS compact effects pedals. Made of high-quality molded resin, this case is perfect for small pedalboard setups.

250 watt bass amp.

Case not included.

Includes hardshell case.

Case not included.

Includes hardshell case.

Includes hardshell case.

Includes hardshell case.

Includes molded case.

Includes hardshell case.

Case not included.

Includes Fender molded hardshell case.

Case not included.

On consignment.  Made in Japan.

12-String Jumbo body, solid Sapele back and sides with Satin finish, solid Sitka Spruce top with Gloss finish, plastic rosette, Tropical American Mahogany neck, Ebony fretboard and bridge, large Pearl dot inlay, Indian Rosewood headstock overlay, black binding, Tusq nut and saddle, Chrome-plated Taylor tuning machines, Elixir® Light gauge strings with NANOWEB® coating, 25 ½” scale, adjustable truss rod, 1 7/8” nut width, 20 frets, 15” fretboard radius, Standard II (forward shifted pattern) bracing, Venetian cutaway, Taylor Expression System®, 17” body width, 4 5/8” body depth, 21” body length, 43” overall length, includes Taylor hardshell case.

Case not included.

Flamed Maple back, Ebony fingerboard.  Includes case and bow.

15/16 Size Dreadnought, Sapele Laminate Back & Sides, Sitka Spruce top, Laser-Etched Soundhole Rosette, Tropical American Mahogany Neck, Ebony Fretboard & Bridge, Pearloid Dot Fretboard Inlay, Lexan Headstock Overlay, Tusq Nut & Saddle, Enclosed Die-Cast Chrome Plated Tuning Machines, Elixir® Light Gauge Strings with NANOWEB® Coating, 25 1/2″ Scale Length, Adjustable Truss Rod, 1 11/16″ Nut Width, 20 Frets, 15″ Fretboard Radius, X-Braced, Varnish Finish, 15″ Body Width, 4″ Body Depth, 19 1/2″ Body Length, 40 1/4″ Overall Length, Includes Gig Bag.

The Ernie Ball VP Junior 25K Active Volume Pedal has a rugged, compact design that provides more floor space and features a 25kOhm pot optimized for the hot signal of active instrument pickups. The pedal’s tuner output allows silent tuning in the heel-down pedal position.

Handbuilt in the USA by Geoffrey R. Teese #P05001575

50 watt acoustic guitar amp.

Case not included.

Case not included.

3/4 size version of the Johnson JG-610 Dreadnaught.  Case not included.

Dreadnought with Solid African Mahogany Back & Sides, Designed for players who need to cut through the mix with the extra volume and projection of an Adirondack top, the RD-310 also has solid mahogany back and sides for a traditional dreadnought sound. With a thin “C” profile mahogany neck and 1-11/16” nut width, guitarists will find the RD-310 to be extremely comfortable, and the bone nut and saddle and deluxe Grover Rotomatic tuners keep it in perfect tune even after hours of playing. Case not included.

Case not included.

Dreadnought body, Laminate Sapele back and sides with Satin finish, solid Sitka Spruce top, Sapele neck, Ebony fretboard and bridge, Indian Rosewood headstock overlay, white binding, Tusq nut and saddle, enclosed Die-Cast Chrome Plated tuning machines, Elixir® Medium Gauge Strings with NANOWEB® coating, 25 ½” scale, adjustable truss rod, 1 11/16” nut width, 20 frets, 15” fretboard radius, X-Brace, 16” body width, 4 5/8” depth, 20” body length, 41” overall length, includes Taylor gig bag.

Grand Auditorium body, solid Sapele back and sides with Satin finish, solid Sitka Spruce top with Gloss finish, plastic rosette, Tropical American Mahogany neck, Ebony fretboard and bridge, large Pearl dot inlay, Indian Rosewood headstock overlay, white binding, Tusq nut and saddle, Chrome-plated Taylor tuning machines, Elixir® Light gauge strings with NANOWEB® coating, 25 ½” scale, adjustable truss rod, 1 ¾” nut width, 20 frets, 15” fretboard radius, Standard II (forward shifted pattern w/relief rout) bracing, Taylor Expression System®, 16” body width, 4 5/8” body depth, 20” body length, 41” overall length, includes Taylor hardshell case.

Polished Gloss Solid Sitka Spruce top, Solid East Indian Rosewood back, sides, headplate and heelcap, Mahogany Blocks/Dovetail Neck Joint construction, D-14 Fret body, Style 28 rosette, Standard ”X” bracing with Solid Sitka Spruce 5/16” braces, Style 28 back purfling, White Boltaron endpiece and binding, White/Black Boltaron endpiece, top and back inlay, Select Hardwood Satin neck with Performing Artist Profile, Bone nut and saddle Compensated with 16” Radius, Solid/Diamond/Square Taper headstock, Solid Black Ebony fingerboard and belly style bridge, 25.4” scale, 20 frets, 1-3/4″ nut width, Style 28 fingerboard postition inlays, 2-3/16” string spacing, Chrome Enclosed tuning machines with Large Buttons, Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200) strings, White w/ Black Dot bridge and endpins, Black pickguard, Includes 640 Molded case.

000-14 Fret Cutaway body, Mortise/Tenon Neck Joint, Polished Gloss Solid Sitka Spruce top, Two Ring rosette, Hybrid ”X” Scalloped bracing, Solid Sitka Spruce 5/16” braces, Solid Sapele back and sides, Black Boltaron binding, Satin Select Hardwood neck with Performing Artist Profile shape, White Corian nut, Solid/Square Taper headstock, Solid East Indian Rosewood headplate and heelcap, Black Richlite fingerboard and bridge, Performing Artist Belly-style bridge, 2-3/16” string spacing, 16” Radius/Compensated/White Tusq saddle, 25.4” scale, 20 frets, 1-3/4” nut width, White ABS Offset Dot fingerboard inlay, Chrome Enclosed with Large Buttons tuning machines, Martin SP Lifespan Phosphor Bronze Light Gauge (MSP7100) strings, White w/ Black Dot bridge and end pins, Delmar Tortoise Color pickguard, Fishman F1 Analog pickup system, includes Martin 330PA Hardshell case.

D-14 Fret Body with Mortise/Tenon Neck Joint, Hand Rubbed Finish Solid Sitka Spruce Multiple Black/White Boltaron Rosette with Red Fiber, Solid Sitka Spruce 5/16” A-Frame ”X-1” Bracing, Mahogany Pattern HPL Back & Sides with Textured Finish, Rust Stratabond Modified Low Oval Neck, White Corian Nut, Solid/Standard Taper Headstock with Mahogany Pattern HPL Headplate, Black Richlite Fingerboard, 25.4” Scale Length, 20 Frets, 1 11/16” Nut Width, Black Richlite Belly-Style Bridge, 2-1/8” String Spacing, 16” Radius/Compensated/White Tusq Saddle, Chrome Enclosed Tuning Machines with Small Buttons, Martin SP Lifespan Phosphor Bronze Light Gauge (MSP7100) Strings, White w/ Black Dot Bridge and End Pins, Tortoise Color Pickguard, Foil Label, Fishman Sonitone Pickup System.  Case not included.

Case not included.

Case not included.

Case not included.

Case not included.

10 watt Bass Amplifier

Case not included.

4-space rack with front and rear cover.

Case not included.

Missing battery cover.

Seeing Eye Mod (SEM) version of the classic DS-1 pedal for high gain, tube like distortion.

Popular choice for flatpicking & live vocal accompaniment, Solid spruce top, hand-carved scalloped X bracing, Extremely dynamic response, from soft picking to hard strumming, Full-bodied tone and room-filling volume, Includes gig bag.

6-String GS body, Indian Rosewood Back & Sides, Engelmann Spruce Top, Abalone Soundhole Rosette, Tropical American Mahogany neck, Ebony Fretboard with Small Pearl Dot inlay, Indian Rosewood headstock overlay and binding, Ebony bridge, Tusq Nut & Saddle, Gold-plated Taylor Tuning Machines, Elixir® Medium Gauge Strings with NANOWEB® Coating, 25 ½” scale length, Adjustable Truss Rod, 1 ¾” nut width, 20 frets, 15” Fretboard Radius, Standard II (Forward Shifted Pattern) Bracing, Florentine Cutaway, Taylor Expression System®, 16 ¼” body width, 4 5/8” Body Depth, 20” Body Length, 41” Overall Length, GS Series Deluxe Hardshell Case.

6-String Grand Auditorium body, Big Leaf Maple Back & Sides, Sitka Spruce top, Abalone Soundhole Rosette, Hard Rock Maple Neck, Ebony Fretboard with Pearl “Leaf” Pattern inlay, Ebony Headstock Overlay, White Binding, Ebony bridge, Tusq Nut & Saddle, Gold-plated Taylor Tuning Machines, Elixir® Light Gauge Strings with NANOWEB® CoatingScale, 25 ½” scale, Adustable Truss Rod, 1 ¾” nut width, 20 Frets, 15” Fretboard Radius, Standard II (Forward Shifted Pattern) bracing, Gloss Black Finish, Venetian cutaway, Taylor Expression System®, 16” body width,  4 5/8” body depth, 20” body length, 41” Overall Length, includes Taylor Deluxe Hardshell case.

Taylor’s rosewood laminate NS24 LTDs feature a cedar top, which is normally only available at the NS72/74 level. The Nylon Series has always been about making nylon’s distinctive tonal palette more accessible to steel-string players through slimmer, familiar-feeling Taylor necks, and these are affordably priced enough to justify as a non-primary guitar that can diversify a player’s six-string tool box. For guitarists who’ve always wanted to learn a little Brazilian music, explore some Latin jazz, or master a classical piece, these nylons offer a fun and musically inspiring option. Models are available either with or without a cutaway, and both come with Taylor’s ES-N^® electronics.

The compact ModTone MT-PH Atomic Phaser is a boutique style pedal that recreates the sweeping articulate tones of classic phasers we all love.

The often imitated but never duplicated thunder of the Red Llama is back! This is not a reproduction, but a continuation of where the groundbreaking archetype left off in 1999. Every single feature that made the Red Llama so mighty is still in place, right where Mr. Huge left them. Season to taste any amp, big or small, clean or dirty the Llama is the perfect compliment to them all, with a rich harmonic palette available on the austere control panel. Spin the drive knob and go from a gentle grind all the way up to massive distortion. Use lower settings for defined open chording or juiced clean tones. Go a little higher for crunchy power fifths, and crank it up for buttery lead tones and tight, bottom-heavy riffage. The volume control sets the desired amount of overall level, but be forewarned: The output capabilities of the Red Llama are legendary, with more than enough gain to force even the cleanest, most stubborn amps to submit their headroom.

Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready. Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions. Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard. It’s like adding an extra musician to the band.

Real time sample capture with perfect looping, Latch mode for infinite sustain at the touch of a momentary switch, Fast decay mode, Slow decay mode, Latch mode for infinite sustain of sample capture, Smooth tonal transitions between captures, Comes with 9.6DC 200 power supply, Handles input gains from pedal boards.

Ibanez EW20MBENT Maple Exotic Wood Acoustic Electric Guitar has a great sound at a reasonable price. The universally-praised EW Series pairs gorgeous and exotic tone woods such as Monkey Pod, Cocobolo, Spalted Mango and the new Burl Maple with the fantastic combo of B-Band UST pickups and newly developed Ibanez SRTc preamps with chorus and onboard tuners, creating instruments that are pleasing to both the eye and the ear. Add in the fact that the EW’s are priced so reasonably and you have an unbeatable combination: great looks, great sound and a great price. The Ibanez EW20MBENT Maple Exotic Wood Acoustic Guitar body is made of natural and exotic wood grain swirl in a Burl Maple high gloss finish.   Case not included.