Case not included.

Includes hardshell case.

Case not included.

ROAD SHOW SPECIAL

6-String Dreadnought body, solid Ovangkol back and sides with Satin finish, solid Sitka Spruce top with Gloss finish, plastic rosette, Tropical American Mahogany neck, Ebony fretboard and bridge, Pearloid Progressive Dot inlay, Indian Rosewood headstock overlay, White binding, Tusq nut and saddle, Chrome-plated Taylor tuning machines, Elixir® Medium gauge strings with NANOWEB® coating, 25 ½” scale, adjustable truss rod, 1 ¾” nut width, 20 frets, 15” fretboard radius, Venetian cutaway, Standard II (forward shifted pattern w/relief rout) bracing, Taylor Expression System®, 16” body width, 4 5/8” body depth, 20” body length, 41” overall length, includes Taylor hardshell case.

Shape: Grand Auditorium; Back/Side Wood: Rosewood Laminate; Top Wood: Sitka Spruce; Neck/Heel: Sapele, Electronics: ES-T®; Bracing: Forward Shifted Pattern; Binding: White; Fretboard Wood: Ebony; Fretboard Inlay: 6mm Dots; Headstock Overlay: Indian Rosewood; Bridge Inlay: None; Bridge Pins: Black; Nut & Saddle: NuBone®; Tuners: Die-Cast Chrome; Truss Rod Cover: Indian Rosewood; Back/Side Finish: Satin; Top Finish: Gloss; Neck Finish: Satin; Cutaway: Venetian; Pickguard: None; Includes Taylor hardshell bag.

Popular choice for fingerstyle playing, Solid Adirondack spruce top, Solid Rosewood sides & back, Dynamically responsive ebony fingerboard, Extended volume range ideal for ensemble playing.  Includes hardshell case.

Mortise/Tenon Neck Joint construction, Grand Performance 14 Fret Cutaway body, Solid Sitka Spruce top, Two Ring rosette, Hybrid ”X” Scalloped top bracing pattern, Solid Sitka Spruce 5/16” top braces, Solid Sapele back and sides, Black Boltaron binding, Select Hardwood neck with Performing Artist Profile, White Corian nut, Solid/Square Taper headstock, Solid East Indian Rosewood headplate and heelcap, Black Richlite fingerboard and bridge, 25.4” scale length, 20 frets, 1-3/4” nut width, Offset Dots – White ABS fingerboard inlays, Satin back and sides, Polished Gloss top, Satin neck, Performing Artist Belly style bridge, 2-3/16” bridge spacing, 16” Radius/Compensated/White Tusq saddle, Chrome Enclosed w/ Large Buttons tuning machines, Martin SP Lifespan Phosphor Bronze Light Gauge (MSP7100) strings, White w/ Black Dots bridge and end pins, Delmar Tortoise Color pickguard, 375PA Hardshell case, Fishman F1 Analog pickup.

On consignment.  Includes gig bag.

On consignment.  Includes hardshell case.

Case not included.

Includes gig bag.

Includes hardshell case.

On consignment.  Includes case.

On consignment.  Includes case.

On consignment.  Includes newer hardshell case and original hardshell case.

On consignment.  Kay or Harmony archtop.  Case not included.

Shape: Grand Auditorium; Back/Side Wood: Rosewood Laminate; Top Wood: Sitka Spruce; Neck/Heel: Sapele, Electronics: ES-T®; Bracing: Forward Shifted Pattern; Binding: White; Fretboard Wood: Ebony; Fretboard Inlay: 6mm Dots; Headstock Overlay: Indian Rosewood; Bridge Inlay: None; Bridge Pins: Black; Nut & Saddle: NuBone®; Tuners: Die-Cast Chrome; Truss Rod Cover: Indian Rosewood; Back/Side Finish: Satin; Top Finish: Gloss; Neck Finish: Satin; Cutaway: Venetian; Pickguard: None; Includes Taylor hardshell bag.

6-String Grand Concert body, Ovangkol back and sides with Satin finish, Sitka Spruce top, Plastic Soundhole Rosette, Tropical American Mahogany Neck, Fretboard    Ebony with Binding, Small Pearl Dots Fretboard Inlay, Indian Rosewood Headstock Overlay, Cream Binding, Ebony Bridge, Tusq Nut & Saddle, Chrome-plated Taylor Tuning Machines, Elixir® Light Gauge Strings with NANOWEB® Coating Strings, 24 7/8″ Scale Length, Adjustable Truss Rod, 1 3/4″ nut width, 20 Frets, 15″ Fretboard Radius, Standard II (Forward Shifted Pattern) Bracing, Satin Finish with Gloss Top, 15″ Body Width, 4 3/8″ Body Depth, 19 1/2″ Body Length, 40 1/4″ Overall Length, Taylor Hardshell Case.

Includes Taylor hardshell bag.

On consignment.  Includes harshell case.

On consignment.  Includes hardshell case.

On consignment.  Includes hardshell case.

25 watt combo

Includes Taylor gig bag.

Includes tweed hardshell case.

Includes hardshell case.

Includes active pickup and hardshell case.

The Recording King RO-10 is the first of its kind.  A solid Sitka Spruce top and solid Mahogany back and sides make it the best all-solid guitar value available.  Simple and minimally appointed but designed from the same plans as all of our top-of-the-line guitars, the RD-10 delivers the rich, warm sound Recording King is known for.  Features: 000-style body, solid Sitka Spruce top, solid Mahogany back and sides, scalloped Spruce forward X-bracing, thin “C” profile Mahogany neck with 1-11/16″ bone nut, 25.4″ scale Rosewood fretboard, Die-Cast tuning machines, Tortoise Shell body binding, Bone saddle, Black pickguard, Classic style rosette, Limited Lifetime warranty.  Case not included.

Includes hardshell case.

On consignment.  Includes original Gibson molded case.

Monday, June 4th 6:00pm

An evening of guitar talk & demos with the Taylor factory staff & guitar makers — straight from El Cajon. Rare and one-off Taylors available for sale; Test-drive the latest Taylor models; Free digital subscription to Premier Guitar for every attendee; TaylorWare gear and Anti-Rust Elixir® Strings (while supplies last); Register to win a custom Taylor guitar.

With its brilliant, warm tone, the JG-420 captures the classic parlor guitar sound. The contoured 000-style body makes it a breeze to play. The generous string spacing and smaller size make it perfect for fingerpickers, yet it retains great projection for flatpicking. Case not included.

With its brilliant, warm tone, the JG-420 captures the classic parlor guitar sound. The contoured 000-style body makes it a breeze to play. The generous string spacing and smaller size make it perfect for fingerpickers, yet it retains great projection for flatpicking. Case not included.

Includes hardshell case.

The Digitech XHR Hot Rod Distortion Pedal morphs among 3 of the most revered classic distortion stompboxes ever made: the ProCo Rat, the Boss DS-1, and the Arbiter Fuzz Face. The Hot Rod from DigiTech delivers rich rock growls that can be tweaked into a near-limitless array of distortion sounds with a simple twist of the Morph knob. The unique, innovative spectral-contouring EQ provides astonishing tonal range. 2 outputs, one for normal signal out and one with advanced cabinet modeling, make this stompbox ideal for studio or stage! Control on the DigiTech XHR Hot Rod pedal include Level, Tone, Gain, and Morph.

On consignment.  Case not included.

From the smallest compact pedal to the most feature-laden rack, the BOSS brand is synonymous with effects that sound great and are built to last. Today BOSS expands its famous ME series multi-effects family with the ME-20, a powerful multi-effects unit optimized for live performance. Easy to use and road tough, the ME-20 provides world-class overdrive, distortion, delay, chorus, phaser, flanger, tremolo, rotary, and EQ effects, taking BOSS’s performance-based philosophy to a very affordable price point.

On consignment.  Case not included.

Classic Vibrato Effects Pedal

There are autowahs, and there are autowahs, but the Tone-Lok AW7 isn’t just any autowah. It’s got standard wah where both the highs and lows are cut and it’s got a wah setting where only the highs are cut. And it’s got distortion. A notch filter provides the sound of a standard wah pedal left at one setting (a favorite wah pedal technique of Joe Satriani). You can even change the chain order of the effects to get different tones: either distortion to wah or wah to distortion.

Poly-Chromatic, true bypass tuner.

The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new “Humanizer” effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.

Includes carrying case.

Package includes receiver, body pack and rack mount.

The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new “Humanizer” effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.

The new BOSS BC-2 generates a classic “AC-inspired” British combo-amp tone in a compact pedal, but that’s just the starting point. With a single knob, you can instantly control a variety of sound-character parameters, and quickly tap into a full spectrum of tone. Achieve the perfect vintage sound or dial into higher gain or cleaner tone across a wider frequency range than the classic amp could provide on its own. The BC-2 also offers a natural and dynamic response to your picking nuances at any setting. This easy-to-use yet technically complex pedal takes you from authentic vintage tone to expanded new-generation performance and sound.

The long-awaited follow up to the GT-10 has arrived. Meet the new BOSS effects flagship, the GT-100, boasting next-generation amp modeling that recreates vintage amps as well as providing new COSM® tones that soar into the future. The user interface has been improved with a unique dual-LCD system, and EZ TONE has been enhanced with newly designed AMP CUSTOMIZE and OD/DS CUSTOMIZE features. The GT-100 is a powerhouse processor that spans from classic to futuristic in a friendly, rugged, road-worthy unit.

The BOSS BCB-60 Pedal Board is a convenient way to set up and transport all your compact effects. The unique padded interior can be customized to fit a range of gear from BOSS compact and Twin Pedals to effects from other manufacturers. A convenient AC adaptor supplies power for up to seven devices.

Variable 3-9 Volt Supply ; Powers up to 15 pedals ; Produces gritty vintage tones

Includes Taylor hardshell bag.

Case not included.

Case not included.

The GPCPA4 Rosewood adds tonal color and variety. The model features a 14-fret cutaway with fast and comfortable Performing Artist profile necks, and Fishman’s F1 Analog onboard electronics. Perfect for all performing artists.  Includes hardshell case.

The OMCPA4 Rosewood adds tonal color and variety. The model features a 14-fret cutaway with fast and comfortable Performing Artist profile necks, and Fishman’s F1 Analog onboard electronics. Perfect for all performing artists.   Includes hardshell case.

One of Martin’s most affordable Performing Artist models, the DCPA5K is available in a Dreadnought body size with a solid Sitka spruce top, koa-patterned high pressure laminate back and sides, High Performance Neck and Fishman’s F1 Analog electronics.

On consignment.  Includes hardshell case.

Solid F-Model: Solid Hand-Carved Spruce Top, Solid Hand-Carved Maple Back & Sides, Solid Maple Neck, Rosewood Fretboard and Bridge, Nickel-Plated Hardware

A multi-effects unit that’s as easy as a stompbox — that’s the beauty of the new ME-70. The friendly, knob-laden design makes tone creation a snap, but with a powerful COSM® AMP section derived from the GT-10, the ME-70 takes the “EZ effects” concept to new heights.  Dedicated knobs for each parameter for fast, friendly operation, New COSM Preamp section derived from GT-10 and Legend series
EZ TONE for quick, easy editing, Four footswitches and Expression pedal, PHRASE LOOP function in DELAY section, with 38 seconds of recording time, Battery or AC (optional PSA-120s) operation.

Compact pedal with stereo input/output for use with other stereo effects, 6 high-quality reverb modes on par with rackmount processors, new Spring Reverb emulation offers realistic spring reverb sounds, new Gate Reverb derived from high-end Roland studio gear, modulate mode detunes the reverb sound for added spaciousness, BOSS 5-Year Warranty.

The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated “Wave,” “Rate,” and “Depth” knobs provide a multitude of effect possibilities.  Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal, Dedicated “Wave,” “Rate” and “Depth” knobs allow for precise effect tailoring, “Rate” control allows for higher speed adjustment than classic PN-2, “Wave” control alters LFO waveform from triangle to square, “Depth” control determines the strength of the effect, BOSS 5-year warranty

The affordable new ME-25 is packed with powerful BOSS features to make you sound like a pro, yet it’s as fun and easy to use as a stompbox. The built-in SOUND LIBRARY gives you instant access to dozens of classic and modern effects. Simply choose a category, select a variation, and play. Customize your sound with simple twists of the Drive, Tone, and Volume knobs. With COSM amp models onboard, plus Super Stack and Phrase Loop, the ME-25 is a dream processor for upstart guitarists who want great sound and ease of use.

30 watts (15W+15W) of natural, stereo acoustic sound through twin speakers, Runs on AC power or eight AA batteries (accepts rechargeable NiMH types), Dual-channel configuration: Guitar and Mic/Line channel, Reverb, chorus, and ambience effects (Ambience adds spatial, 3D-type depth to the sound), Phrase Looper with 40 seconds of record time, Stereo AUX input (connect MP3/CD players, etc), headphone output, Anti-feedback function, Built-in tilt-back stand, Removable battery cartridge for easy battery replacement.

Although there are many acoustic amps on the market today, few of them can compete with the rich, natural tone of the compact AC-60 Acoustic Chorus amplifier. This innovative stereo amp uses sophisticated digital signal processing to deliver a crisp sound with lush stereo/multi-band chorus—including a new “wide” mode—plus delay/reverb and impressive Auto Anti-Feedback control. And with its 2-channel Mic/Line design and stand-mountable configuration, the AC-60 is clearly heads above the competition.

Size: Concert Banjolele | Scale Length: 15.0″ | Width at Nut: 35mm | Top: Remo Head | Back/Sides: Flame Maple | Fretboard: Rosewood | Electronics: N/A | # of Frets: 18 | Machines: Vintage Brass Geared | Binding: Flame Maple | Bag Included

Classic “blues” guitar tones with tube amp simulation, warm distortion and overdrive, responds to nuance and volume changes, AC adaptor or 9V battery operation, BOSS 5-year warranty.

Mastertone-style Bell Brass Cast tone ring, Mastertone-style one-piece banjo flange, Maple resonator and neck with adjustable truss rod, 3-ply steam bent Maple rim, 24 hook brass tension hoop, Rosewood fretboard with Seagull inlay, bone nut, Recording King Compound Angle Peghead, black peghead overlay with Mother of Pearl Inlay, American-Threaded hooks and nuts, dual coordinator rods, Planetary tuners, Presto-style tailpiece, Maple/Ebony 5/8″ bridge, Remo frosted head, 11″ high crown, hand-rubbed brown satin finish, nickel-plated hardware, limited lifetime warranty.  Case not included.

Classic BOSS chorus pedal with clean, brilliant sound for guitar and keyboards, Effect Level, EQ, Rate and Depth knobs allow for precise shaping of sound, features Mono input and Stereo outputs for connection to dual amps, BOSS 5-year warranty.

The BOSS OC-3 Super Octave gives guitarists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also has separate inputs for both guitar and bass.
World’s first compact pedal with true Polyphonic Octave effects, New Drive mode adds distortion to octave notes for a fatter, more aggressive tone, Includes the original OC-2 mode, capable of producing notes one and two octaves down, Poly Octave effect adjustable to play within a specific note range, Bass input for adapting octave sound to bass guitars, BOSS 5-year limited warranty.

This compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control.

Compact delay pedal with superb BOSS sound quality, Provides 3 delay time modes and a Delay Time control for quick adjustment of exact delay time between 12.5ms – 800ms, Hold function repeats delay sound indefinitely for interesting effects, BOSS 5-year warranty.

Even with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate. The new DD-7 takes the best features from its predecessors and expands the creative potential with Modulation Delay mode, classic modeled Analog Delay mode, External pedal control options, longer delay time, and more.

Expanded delay time, up to 6.4 seconds, Modulation Delay mode offers natural, chorus-type sounds, Analog Delay mode models the classic warm BOSS DM-2 analog delay sound, Tap tempo controllable via external footswitch, Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately), Up to 40 seconds of recording for sound on sound (Hold mode).

The ODB-3 Bass OverDrive delivers the chest-resonating distortion that hard rock, thrash, and punk bassists have been waiting for. This hot compact pedal has been designed specifically for bass applications.

OverDrive pedal specifically designed for bass, Onboard two-band equalizer, Balance knob controls dry/overdriven sound, AC adaptor or 9V battery operation, BOSS 5-year warranty.

Grand Concert body, solid Sapele back and sides with Satin finish, solid Sitka Spruce top with Gloss finish, plastic rosette, Venetian cutaway, Tropical American Mahogany neck, Ebony fretboard and bridge, Large Pearl Dot inlay, Indian Rosewood headstock overlay, Black binding, Tusq nut and saddle, Chrome-plated Taylor tuning machines with Ivoroid Buttons, Elixir® Light Gauge Strings with NANOWEB® Coating, 24 7/8″ scale, adjustable truss rod, 1 3/4” nut width, 20 frets, 15” fretboard radius, Standard II (Forward Shifted Pattern) bracing, Taylor Expression System®, 15” body width, 4 3/8” body depth, 19 1/2” body length, 40 1/2” overall length, includes Taylor hardshell case.

The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50Hz, the GEB-7 is also great for adjusting depth and bottom end of an upright bass with pickups.
50Hz to 10kHz frequency range specifically designed for bass, Full range response, even for five- and six-string basses, Can be used as a “boost” or “cut” pedal using the level control knob, Great for eletric-acoustic bass applications, AC adaptor or 9V battery operation, BOSS 5-year warranty.

Flexible distortion pedal capable of producing blended overdrive/distortion sounds, provides both “over-the-top” distortion sounds and less extreme overdrive tones for rhythm playing, includes Level, Tone, Drive and Color controls for precise tonal shaping, BOSS 5-year warranty.

Three Hours of Stereo Recording in a Stompbox.  The RC-3 is powerfully equipped yet conveniently housed in a compact pedal. Enjoy up to three hours of stereo recording time, storage for 99 loops, a “real drums” rhythm guide, and USB 2.0 compatibility all in a small BOSS stompbox.

21-segment LED meter with brightness control, High-Brightness mode enhances meter visibility outdoors, Accurate to +/- one cent, Accu-Pitch Sign function provides visual verification when tuning is complete, Chromatic and Guitar/Bass mode (tune by string number, with support for 7-string guitars and 6-string basses), Flat tuning is supported with Guitar Flat mode, which allows for “drop” tunings up to six semitones below standard pitch, Tuner automatically mutes when the tuner is on, Supplies power for up to seven BOSS compact effect pedals (with optional PCS-20A Cable).

Specialized effects for vocalists, including Harmony, Double-Track, Dynamics, Reverb, Delay, and more.  Create the total of 3-part harmonies and layers, realtime pitch-correction tools, special FX, including Distortion, Radio and Strobe, Phrase Looper with 38 seconds (mono) of recording time, Phantom power for condenser microphones, runs on six AA-batteries or AC adaptor (PSA), easy operation and road-tough BOSS construction.

Includes Taylor hardshell bag.

Two switches in one, BOSS’s new FS-6 combines latch- and momentary-type switching into one unit. With two switches conveniently housed side-by-side, the FS-6 allows each switch to be set for latch or momentary operation. Pick the configuration that best suits your playing style and setup.  Each footswitch can be assigned latch- or momentary-type, Stereo input jack for single stereo cable connection, Can be connected to other footswitches (FS-5L/FS-5U/FS-6/AB-2) for extension, Can be used with a wide variety of instruments, rhythm machines, guitar amps, etc.

100 watt, 2×10 bass combo.

On consignment.  Case not included.

On consignment.

On consignment.  Includes gig bag.

On consignment.  Case not included.

This all-analog pedal uses bucket-brigade circuitry to create classically lush, liquid textures that you just can’t get with digital circuitry. Rate, Level, and Depth controls, as well as knobs for cutting High and Low frequencies allow ultimate tone control. Like all MXR pedals, the M-234 comes in a heavy-duty housing with durable jacks and switches for a lifetime on the road.

Adding a preset amount of gain with just a single control, the Micro Amp is a great way to boost your signal for lead work or adjust between two different guitars with unmatched output (i.e. humbuckers to single-coils). It can also provide a permanent boost in a long effects chain where signal drop off is a problem.

With its simple operation and stellar analog tone—the MXR Micro Chorus joins the ranks of MXR Classics such as the Phase 90, Dyna Comp and Micro Amp. This 80′s reissue delivers a stunning range of rich chorus textures, from sparkly watery shimmers to intense rotating speaker simulation with a twist of the Rate control. The Micro Chorus is designed with old-school bucket brigade technology for warm analog tone and features true bypass for pure guitar tone when the pedal is off. Its road-worthy hardware and components are housed in a space saving Phase 90 sized box.