Case not included.
Welcome to Fret Mill Music Co.
Special Financing on select Martin and Taylor Guitars
12 months deferred interest with monthly payments on select Taylor guitars until June 30th 2013 and select Martin guitars until December 31st 2013.
Whether for use onstage or at home, the new RC-20XL allows musicians to create multi-layered performances in real time. Loops and riffs can be stacked repeatedly until the 16 minutes (!) of ample recording space is full. Never before has it been so easy to create a massive “one-person band” sound in real time.
This device has found its way into many of Eddie Van Halen’s recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble…and myriad vintage vibrations in between.
Two switches in one, BOSS’s new FS-6 combines latch- and momentary-type switching into one unit. With two switches conveniently housed side-by-side, the FS-6 allows each switch to be set for latch or momentary operation. Pick the configuration that best suits your playing style and setup. Each footswitch can be assigned latch- or momentary-type, Stereo input jack for single stereo cable connection, Can be connected to other footswitches (FS-5L/FS-5U/FS-6/AB-2) for extension, Can be used with a wide variety of instruments, rhythm machines, guitar amps, etc.
The USA Gold Elite is hand-fit in the Hayward, CA workshop. Based on the platform of the best-selling Elite, the USA Gold Elite offers players vintage sound and handcrafted construction in a professional-level US-assembled banjo. Top-shelf components like a classic Mastertone-style tone ring, true steam-bent 3-ply maple rim and nitrocellulose lacquer finish put this banjo in a category by itself. With classic design features like the vintage-style double-cut Recording King peghead and custom Flying Eagle-style inlay, this banjo proudly carries forward the tradition of one of history’s most revered instrument manufacturers.
Shape: GS Mini; Back/Side Wood: Sapele Laminate; Top Wood: Tropical Mahogany; Neck/Heel: Sapele, Electronics: None; Bracing: X-Bracing with Relief Rout; Binding: None; Fretboard Wood: Ebony; Fretboard Inlay: 5mm Dots; Headstock Overlay: Lexan; Bridge Inlay: None; Bridge Pins: Black; Nut & Saddle: NuBone®; Tuners: Die-Cast Chrome; Truss Rod Cover: Black Plastic; Back/Side Finish: Varnish; Top Finish: Varnish; Neck Finish: Varnish; Cutaway: None; Pickguard: Tortoise; Includes Taylor hardshell bag.
Mooer Audio micro effect pedals pack an incredibly BIG sound into a very small package. Our ShimVerb digital reverb has 3 reverb modes: Room, Spring, Shimmer. The room mode has different sized true acoustics reverb, from room to hall; the spring mode is good for vintage 60′s surfing sound; the shimmer mode is very popular in Post Rock music.
Mooer Audio micro effect pedals pack an incredibly BIG sound into a very small package. Our Hustle Drive has an ultra wide dynamic range and an extraordinary open tube-like drive sound. The Hustle Drive has two modes. The HP or high peak mode, boosts up the bottom-end, when increasing distortion by Drive knob, you will get more volume and a slight increase in high-mid range (around 3.5KHz). The LP or low peak mode, adds very little color to the original sound, very nice for clean boosting.
3 Delay Modes: Analog/Real Echo/Tape Echo. Analog: Simulates a warm and smooth echo sound created by classic analog delay equipment. Real Echo: Simulates a natural echo sound in real environment. Tape Echo: Simulates the sweet and spacy echo sound from avintage tape echo machine. Full metal shell, Very small and exquisite, True bypass.
For serious low-end in a compact format, look no further than the Powerwerks® PW112-S features a 200-watt RMS power rating (400 watts Peak). Includes a heavy-duty Powerwerks® 12-inch speaker with crossover; Tolex-covered cabinet with metal grill; and corner protectors to protect it from damage on the road. Includes a metal speaker stand mount on top of the cabinet.
The PW50 P.A. System combines quality performance and convenient features, all in a highly portable package. You’ll find that the PW50 works well in a variety of environments, amplifying vocals, instruments, keyboards, drum machines, audio devices, and more. The two 4.5″ speakers and high-frequency driver provide just the right combination of high and midrange sounds. This balance ensures your vocals cut through the mix while minimizing harsh and unwanted frequencies.
The PW50 Construction is based on the same tried-and-true techniques as the rest of our speaker line. This includes a heavy-duty steel grill and rigid corners. This model also utilizes a high-frequency driver for crisp, accurate reproduction of treble frequency and articulate speech. For the soloist or acoustic duo, the PW50 works well when positioned on a standard speaker stand. The Powerlink Circuit allows two or more units to be linked together and function as one P.A. system. As your following grows, so does your sound system. Multiple units can be connected to increase the sound coverage in your venue of choice.
40-watt guitar amp with 10″ high-performance speaker, Three footswitchable channels, including JC Clean, Lead, and Solo with memory capability, 10 COSM amp models, including the new Extreme amp, Eight effects, including the new Heavy Octave and COSM vintage Spring Reverb, 80-second Phrase Looper built in, Power Squeezer for full gain at low volume, Hands-free channel switching via footswitch (sold separately).
20-watt guitar amp with 8″ high-performance speaker, Two channels: Independent JC Clean and Lead plus Solo function for extra boost, Six Lead types, including the new Extreme amp, Nine effects, including the new Heavy Octave and COSM vintage Spring Reverb, Power Squeezer for full gain at low volume, Convenient audible tuner lets you tune your guitar without unplugging.
With over one million CUBE amps sold and going strong, Roland continues to push the envelope with innovative amp technology and design. The latest addition to the top-selling CUBE amp family is the CUBE-XL series, with the CUBE-80XL representing the most powerful and feature-packed of the new lineup. The CUBE-80XL delivers 80 screaming watts of power through its 12″ high-performance custom speaker. There are discrete, footswitchable* channels — JC Clean and Lead — with Solo settings for each. Twelve COSM® amp models are onboard, including the new Extreme, plus eight effects to choose from, including the new Heavy Octave and COSM vintage Spring Reverb, plus an 80-second Phrase Looper. A 3-band EQ with Presence control is provided for detailing your sound.
80-watt guitar amp with 12″ high-performance speaker, Three footswitchable channels, including JC Clean, Lead, and Solo with memory capability, 11 COSM amp models, including the new Extreme amp, Eight effects, including the new Heavy Octave and COSM vintage Spring Reverb, 80-second Phrase Looper built in, Three-band EQ plus Presence control for fine-tuning your sound,
*Hands-free channel switching is available with footswitch (BOSS FS series, sold separately).
Specialized effects for vocalists, including Harmony, Double-Track, Dynamics, Reverb, Delay, and more. Create the total of 3-part harmonies and layers, realtime pitch-correction tools, special FX, including Distortion, Radio and Strobe, Phrase Looper with 38 seconds (mono) of recording time, Phantom power for condenser microphones, runs on six AA-batteries or AC adaptor (PSA), easy operation and road-tough BOSS construction.
Ultimate riff power is yours with the Fullbore Metal Distortion pedal from MXR. This compact but powerful device is all you need to unleash the most devastating contemporary metal guitar tones ever heard. The Fullbore Metal turbo-charges your guitar signal with lethal amounts of ultra high gain. This is combined with a built-in Noise Gate to knock out the noise associated with extreme gain levels while also adding definition and tightness to syncopated metal riffs.
Mastertone-style Bell Brass Cast tone ring, Mastertone-style one-piece banjo flange, Maple resonator and neck with adjustable truss rod, 3-ply steam bent Maple rim, 24 hook brass tension hoop, Rosewood fretboard with Seagull inlay, bone nut, Recording King Compound Angle Peghead, black peghead overlay with Mother of Pearl Inlay, American-Threaded hooks and nuts, dual coordinator rods, Planetary tuners, Presto-style tailpiece, Maple/Ebony 5/8″ bridge, Remo frosted head, 11″ high crown, hand-rubbed brown satin finish, nickel-plated hardware, limited lifetime warranty. Case not included.
When people talk about wah-wah pedals, they’re talking about the Cry Baby Wahs. This is the one that created some of the most timeless sounds in rock. The pedal that would eventually become the Cry Baby was first created in 1966 by engineers at the Thomas Organ Company. This new and expressive effect was an instant hit with players like Jimi Hendrix and Eric Clapton, who have contributed to the Cry Baby Wah’s huge popularity to this day. While other effects have come and gone, the Cry Baby Wah just keeps getting better with age. Power: Dunlop ECB003 AC Adapter or Single 9 volt battery.
Crank your stomp pedals to the extremes without the fear of any hiss or excess noise with the MXR Noise Clamp. By sensing your guitar’s dry signal, The Noise Clamp reduces the noise level within the effect loop, coming down hard on even the noisiest signals. A single Trigger knob allows you to set the volume threshold at which the pedal is active, and a green LED shows whether the gate is on/off. This bad boy is capable of reducing Noise up to 26dB, maintaining riff definition at extreme gain levels.
The EBow is a hand-held electronic bow for guitar. This small battery-powered unit replaces the pick in the right hand letting the guitarist mimic strings, horns, and woodwinds with unbelievable sensitivity. The EBow produces a powerful infinite sustain, rich in harmonics for incredible guitar sounds. Unlike plug-in effects, the Energy Bow does its work on the string itself… Direct String Synthesis™. Infinite Sustain is just the beginning.
Grand Concert body, solid Sapele back and sides with Satin finish, solid Sitka Spruce top with Gloss finish, plastic rosette, Venetian cutaway, Tropical American Mahogany neck, Ebony fretboard and bridge, Large Pearl Dot inlay, Indian Rosewood headstock overlay, Black binding, Tusq nut and saddle, Chrome-plated Taylor tuning machines with Ivoroid Buttons, Elixir® Light Gauge Strings with NANOWEB® Coating, 24 7/8″ scale, adjustable truss rod, 1 3/4” nut width, 20 frets, 15” fretboard radius, Standard II (Forward Shifted Pattern) bracing, Taylor Expression System®, 15” body width, 4 3/8” body depth, 19 1/2” body length, 40 1/2” overall length, includes Taylor hardshell case.
Dreadnought body, Laminate Sapele back and sides with Satin finish, solid Sitka Spruce top, Sapele neck, Ebony fretboard and bridge, Indian Rosewood headstock overlay, white binding, Tusq nut and saddle, enclosed Die-Cast Chrome Plated tuning machines, Elixir® Medium Gauge Strings with NANOWEB® coating, 25 ½” scale, adjustable truss rod, 1 11/16” nut width, 20 frets, 15” fretboard radius, X-Brace, 16” body width, 4 5/8” depth, 20” body length, 41” overall length, includes Taylor gig bag.
For super-aggressive heavy-rock distortion for that don’t-mess-with-me attitude, the Ibanez Tone-Lok Series SM7 will deliver. Comes armed with obscene amounts of gain, tight low end, and searing highs. A void switch eliminates excessive string noise and feedback. An edge switch allows 2 different preamp flavors.
Built from the ground up with the best available components, the MXR GT-OD Overdrive pedal creates smooth, warm, and classic overdrive without excess noise or tone coloring. The simple controls make it easy to dial in a great tone quickly—from crunchy rhythm tone with chord clarity—to sparkly and harmonic-rich lead tones with tons of sustain. You won’t find an overdrive that is more organic, responsive or open sounding. A traditional overdrive that provides powerful, cutting, transparent overdrive tone with great definition, adds sustain and gain without adding excess noise, place in front of an overdriven amp for screaming lead tones, indestructible die-cast housing.
The MXR Custom Badass ’78 Distortion roars with huge amp stack tones and old school distortion. We took a classic distortion circuit and hot-rodded it to deliver over-the-top soaring leads and rich, saturated rhythms. With only three knobs, dialing in a badass tone is a cinch. Engage the CRUNCH button to boost the harmonic content of the distortion. Under the hood, this high performance machine features top notch circuitry and hardware meant for a lifetime of use.